News

Emmanuel Polanco creates the cover and the full feature of La Croix L'Hebdo issue 332, dedicated to conversational AI chatbots and their emotional hold on users. A pressing social issue, handled with Emmanuel's signature visual sensitivity and sharpness.

Lisett Ledón updates her portfolio with a striking new series, including a cover for Sports Illustrated Kids, an animated portrait of Basquiat immersed in his own graffiti-laden universe, and a David Bowie in full Ziggy Stardust mode, all sharp angles and red. Fantastical characters that feel right at home in Lisett's world, where collage and distorted bodies are her signature.

Loh3n unveils new series that confirm what makes his work so distinctive: this tension between Asian sensibility and European visual references, between classical painting and fashion photography. Botanical portraits of hypnotic precision, saturated pop compositions, intimate scenes... every image carries that dense, inhabited signature, immediately recognizable.

Gianluca Foli creates the cover of La Cucina Italiana, March/April 2026 issue. Founded in 1929, this monthly gastronomy magazine is one of Italy's leading culinary references.

Paykhan creates a series of 6 vintage travel mini-posters for the "Journey" issue of Hearst UK, one of the largest magazine publishers in the United Kingdom (ELLE, Harper's Bazaar, Cosmopolitan...). Each poster reimagines the myths and legends of a destination. A round-the-world trip, somewhere between folklore and retro travel posters.

Franki Domino expands his universe with new series: bicolour ballpoint pen portraits of striking precision, hyperrealist compositions blending human figures and botanicals, and surrealist collages overflowing with references. A portfolio that confirms the breadth of his range, from pure drawing to the world of constructed images.

David Despau creates a series of permanent murals at the CBS Sports headquarters in New York, one of the largest sports divisions in American television, broadcasting the NFL, NCAA basketball, the Champions League and much more. Large-scale works now part of the walls of an institution of American sports media.

Giordano Poloni creates the cover and interior illustrations for Door, the design and decoration magazine from the Gedi group, published as a supplement to La Repubblica. The "House of Robots" issue imagined the integration of humanoid robots into our living spaces.

Davide Spelta signs a series of covers for Il Battello a Vapore, the Italian benchmark for children's books (ages 3-13), the youth imprint of Edizioni Piemme. A natural move into editorial publishing for this illustrator whose style plays on the synthesis of shapes and visual metaphors.

Levente Szabo continues his collaboration with the CNRS, illustrating articles for their website on topics as varied as disinformation, microplastics, Mercury's core, Pluto, and sovereign AI. From fundamental science to the geopolitical stakes of European research, the perfect playground for his dynamic and conceptual style.

Joluvian creates the poster for Mangeront-ils ?, a gothic fable by Victor Hugo where alexandrines, electronic music and political satire collide in a tale oscillating between the sublime and the grotesque. The play runs from July 4 to 25 at La Luna Théâtres as part of the Festival Off Avignon 2026, one of the most unmissable live theatre events in France. A great poster for a great project.

On Via Cola di Rienzo, steps away from the Vatican and the lively Prati neighborhood, Nespresso has opened a new boutique. To bring it to life, the brand called on Gianluca Foli - a permanent mural capturing the energy of Roman street life, plus a collector tote bag. Illustration as a way of life, espresso-style.

Emmanuel Polanco creates three illustrations for Der Spiegel, accompanying a major interview with Ken Burns, the acclaimed American documentary filmmaker, on the unfinished story of the United States. A fractured Uncle Sam, a smothering flag, fraying star-spangled cotton: three razor-sharp images that dissect an America under tension.

Francis Léveillée creates the visual identity for Nina Pizza, a Québécois Neapolitan pizzeria: logo, box, illustrations. A generous and wonderfully chaotic graphic universe, somewhere between Maradona, Padre Pio, the Ape Piaggio and the fleur-de-lys. Italy seen from Québec, with a lot of love and a little red wine.

Entre Deux keeps pushing the boundaries of generated imagery: these canvases that look oil-painted, these textures, these brushstroke-like marks, are in reality the result of an experimental practice that blurs the lines between painting, photography and generative AI.

Pablo Pasadas creates the cover of Eco Keys issue 10, a biannual magazine published by EcoDDS, a waste management eco-organization, at the crossroads of economy and environment. This issue tackles a question that gets under your skin: "Are we all intelligent?" A vast and universal topic, handled with Pablo's signature collage and pop style, as striking as ever.

David Despau signs another cover for Jeune Afrique, the April 2026 issue focused on Senegal, two years after the political transition. A double portrait of Bassirou Diomaye Faye and Ousmane Sonko. A powerful political cover for one of the leading publications on Africa.

Tonwen Jones creates the key visual for the Fondation Swiss Life, active since 2008 around three core pillars: health, culture, and solidarity. A high-stakes institutional communication brief — a natural fit for the Welsh illustrator's warm and human-centered style.

Giordano Poloni creates the illustrated posters for the retrospective "Riflessi dell'invisibile" organized by BIM Distribuzione in Italy, dedicated to the early masterworks of Kore-eda Hirokazu. A tribute to the Japanese master, centered on his recurring themes: memory, loss, and renewal.

Davide Spelta showcases a diverse range of commissions: political news illustration for La Repubblica, a cinematically charged legal newsletter, an environmental piece for GEA, and a medieval pizza box that proves he can shift into fun mode without taking himself too seriously. A masterful balancing act.

Emmanuel Polanco illustrates the cover and feature dossier of FUTU&R issue 51, Usbek & Rica's magazine dedicated to the future of the Web: Big Tech, generative AI, monopolistic fragmentation of the network... is the original promise of the Internet still viable? A subject tailor-made for Emmanuel's sharp and conceptual style, published in April 2026.

Bulma signs all four 2026 covers of &Vous, the quarterly magazine of La France Mutualiste, a national savings and retirement mutual reaching hundreds of thousands of members. A solid annual commission for the illustrator, whose warm and colorful style is a natural fit for the publication's broad audience.